About FWD-Doc

Filmmakers With Disabilities and actively engaged allied filmmakers

Disabled presenters, two women in chairs and two men in wheelchairs, speak to an audience from a stage at IDA Getting Real 2018.
Tinted red, Disabled presenters, two women in chairs and two men in wheelchairs, speak to an audience from a stage at IDA Getting Real 2018.
Tinted yellow, Disabled presenters, two women in chairs and two men in wheelchairs, speak to an audience from a stage at IDA Getting Real 2018.

MISSION

FWD-Doc is a global, intersectional community of disabled creators and allies, rooted in documentary film, that champions and elevates stories by, for, and about disabled people across all types of media.

VISION

We envision a thriving and accessible media industry in which disabled creatives can freely produce the stories they want, where disabled stories are told with nuance and authenticity, and that disabled audiences can access media without barriers.

In front of the ReelAbilities NY 2025 step and repeat on a red carpet, Lawrence Carter Long, Sarah Napoli and Cassidy DImon smile.
Six people gather for a group photo, one holding up the ASL sign for love, and another holding pink flowers.

“Disability disrupts, people show up.”

Day Al-Mohamed & Amanda Upson

OUR WORK

As an organization, we are committed to responding to the evolving needs of our members and creating a culture that is inclusive, honest, respectful, collaborative, joyful, and fulfilling.

OUR VALUES

All of our work is guided by the principles of Disability Justice. We are:

As D/deaf, disabled, and neurodiverse people,* we face discrimination every day. Society tells us that people with disabilities are less-than; that disabilities should be “overcome” or ignored — not an inherent part of humanity that is embraced. The entertainment industry perpetuates and reinforces this ableist narrative. On the rare occasion that we see ourselves on screen, we are very often reduced to objectified tropes of either tragedies or inspirations. We are portrayed either as heroic for just existing; as powerless victims in need of pity; or as “others”: villains, curiosities, or freaks. Film, television, and other media have enabled the negative treatment of disabled people for far too long. This must and will change.

As disabled filmmakers, writers, actors, creatives, and industry professionals, we live full and powerful lives. We know first-hand that media is a powerful tool to drive change. We are committed to using our talents, networks, and stories to rewrite the narrative about disability and disabled people. We celebrate and document the entirety of our existence, and we want the world to do the same.

Use of Disability Language

When we refer use the words “disability” and “disabled”, this includes people who are d/Deaf, HoH (Hard of Hearing), chronically ill, neurodiverse, those with mental health conditions and “invisible” illnesses, and all people who choose to self-identify under any additional terms to describe how one’s life is substantially impacted.

Although person-first language (“people with disabilities”) is a common term in the US, many other cultures find this label problematic, and prefer identity-first language (“disabled people”). We intentionally utilize both terms in all FWD-Doc materials, giving disabled people autonomy over their identities. We defer to and honor individual preferences within the community.

Identity-first language (“disabled person”) uses the social model of disability that also includes d/Deaf, HOH (Hard of Hearing), chronically ill, neurodiverse people, those with mental health conditions, and all people who wish to self-identify under any additional terms. 

We believe in an inclusive and expansive definition of disability. This is about identity, community, and barriers placed upon disabled people, not rules to deem people ‘right’ or ‘wrong’.